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Reload the Canons!

This series of articles is an attempt to play through The Canon of videogames: your Metroids, your Marios, your Zeldas, your Pokemons, that kind of thing.

Except I'm not playing the original games. Instead, I'm playing only remakes, remixes, and weird fan projects. This is the canon of games as seen through the eyes of fans, and I'm going to treat fan games as what they are: legitimate works of art in their own right that deserve our analysis and respect.

Showing posts with label Parafiction. Show all posts
Showing posts with label Parafiction. Show all posts

Wednesday, November 30, 2022

Parafiction and the Bluecheck Crisis

A single joke tweet dropped pharma giant Eli Lilly's stock value by $15,000,000,000. Inside the aesthetics and strategies of Parafiction: the hoax as activist art.

Content warnings for: discussion of anti-queer violence, chemical spills, medical oppression, corporate malevolence.


Tuesday, October 22, 2019

Shade World: A Player's Guide (Preview 1)

Storming the Ivory Tower presents Shade World: A Player's Guide, a parafictional choose your own adventure experience, by Sam Keeper and Juniper Theory.



Monday, August 26, 2019

Save Spidey! Into the Spider-Verse's Failure and Promise

Can Spider-Man matter outside of the Marvel Cinematic Universe? Sony, Disney, #SaveSpidey, and Into the Spider-Verse.

Tuesday, August 20, 2019

To Make An Apple Pie From Scratch: Expanded Universes 101


In movies, comics, games, tv, and books, Expanded Universes are everywhere. But these huge multi-author, multi-story projects are controlled by huge corporate monopoly holders. Isn't it time we built some universes of our own?

Sunday, April 13, 2014

Parafanfiction and Oppositional Fandom



Over the course of the last week, I've been working on a very involved project called "The Parafiction Museum." This project, incidentally, is why there wasn't a Storming the Ivory Tower last week. The assignment was to create an entire catalogue for a fantasy exhibition of contemporary art. Alright. That's pretty straightforward.

I, of course, decided to host an exhibition based around the most confusing idea I could find: Parafiction.

Now, all of this is explained within the essay for the catalogue (which can be viewed here, although I recommend downloading it since Drive visually compresses PDFs) and I won't go on too long because A. the essay in the catalogue is already 2000 words not counting all the information on individual works so I'm bloody sick of writing and want to go break rocks in Minecraft for a while and B. I actually do think the essay does a good job of explaining what Parafiction is and why it matters. But the essay is written for a fine art audience rather than you weird fandom people, and I want to do a little bit of work contextualizing why its important particularly to fan works and transformative works.

So what is parafiction?


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